https://mariannenoer.cargo.site Marianne Noer Tue, 19 May 2026 18:39:13 +0000 https://mariannenoer.cargo.site en https://mariannenoer.cargo.site/Home Thu, 20 Jan 2022 14:30:42 +0000 Marianne Noer https://mariannenoer.cargo.site/Home Investigating locality, material and tactile craftmanship Controlled burning of Heathland to regenerate plants and soil. Præstbjerg Plantage (DK) 2020. Lystbækgaard https://mariannenoer.cargo.site/About Thu, 20 Jan 2022 14:30:43 +0000 Marianne Noer https://mariannenoer.cargo.site/About Marianne Noer&nbsp; mail(a)mariannenoer.com+ 45 50942810 Located in Holstebro (Denmark)&nbsp; ABOUT &nbsp; Marianne Noer (1992) works with intangible cultural heritage with a focus on rural stories and craft. &nbsp; Noer’s work is often based on a site-specific narrative, reflecting on landscape and the drastic changes in weather conditions, the loss of species and traditional crafts. This she often investigates with old textile techniques like the shaft loom, a tool with a long history to create stories (tapestries).&nbsp; (DK)Marianne Noer (1992) praksis kredser om immateriel kulturarv i relation til landlige historier og håndværk.&nbsp;Noer’s arbejde er baseret på en stedsspecifik fortælling, som reflekterer over landskaber og de drastiske ændringer i vores&nbsp; klima, tab af arter og håndværk. Dette undersøger hun ofte med tekstile redskaber som&nbsp; skaftevæven, der har en lang tradition som redskab til at fremstille historier (gobeliner).&nbsp; <img width="2706" height="3292" width_o="2706" height_o="3292" data-src="https://freight.cargo.site/t/original/i/eb8cf4d48095fcb89623184fda0f1f5e064783dc39a81f162bd4308b75266ed0/Marianne-Noer_Portrtbilled_Anne-Mortensen.jpg" data-mid="203302600" border="0" data-scale="80" src="https://freight.cargo.site/w/1000/i/eb8cf4d48095fcb89623184fda0f1f5e064783dc39a81f162bd4308b75266ed0/Marianne-Noer_Portrtbilled_Anne-Mortensen.jpg" /> Photo: Anne Mortensen Selected Exhibitions &amp; projects 2026 Det Uendeliges kunst, Curated Josephine Boesen &amp; Astrid Skibsted. Ørslev Monastry garden (DK) 2026&nbsp; The Fire We Built, curated Hosting Lands. Fanefjord Fælled (Møn, DK) &nbsp; 2026 TALK: Common/S Academy curated by Marie Kølbæk Iversen. Statens Museum for Kunst, Thy (The Danish Nationale Gallery, Thy) (DK). 2025 Kapellet genfortalt, curated by Marianne Krogh &amp; Sidsel Hodge (the danish architecture association &amp;&nbsp; Supported by Dreyers Fonden)&nbsp;2025 A Place for the Heathlands,https://heathland.place Publication from ANTHEA project (the Anthropogenic Heathlands) Moesgaard at Aarhus University. Editors Mette Løvschal, Karen Grønneberg and Thea m. jensen 2024 KH-Prisen : Maker of awards for craftmakers.&nbsp;Commissioned from The Danish Arts Foundation&nbsp;2024Inhabiting the Ruin, curated Hosting Lands. Oxer/Svartlöga. 2024 Forårsudstillingen / The Spring Exhibition, Kunsthal Charlottenborg.&nbsp; 2024 Tidselfeber (Samsø) curated by Tidselkorridoren (a protest group). Anton Rosen Huset (Samsø, DK). 2023 Wet, Work. curated Mette Woller.&nbsp;FABRIKKEN For Kunst &amp; Design (DK). 2023 Largely (not wholly),&nbsp;curated by artist Isabella Solar Villaseca and Maria Nørholm Ramouk (Art Week Cph.) FABRIKKEN For Kunst &amp; Design (DK).&nbsp; 2023 FIBER, &nbsp;curated and shown&nbsp;MalmöVÄV (Sweden).2021UKURANT PERSPECTIVES, Part of 3 days of design. (CPH)&nbsp; 2021 Pakhuset (Nykøbing Sj.) ‘From near not far’ &nbsp; 2020 Graduation exhibition, Koldinghus.&nbsp; 2019 Kulturmødet på Mors Scholarships and other 2021 + 2023 + 2024 Statens Kunstfond (The Danish Art foundation) 2024 Tychos Fonden 2022 (delayed) Contribution to Book Publishing with Ashna Patel. &nbsp;Design School Koldings department for Sustainability.. 2021&nbsp; Talking Textiles Dorothy Waxman International Textile Design prize Nominated with degree project. 2021 Slots- og kulturstyrelsen Grant to develope public engaging textile project. Education 2018 - 2020 Master degree : Design School Kolding (DSKD)From the department Design for Planet. With specialization. in material and textile design. 2014 - 2017 &nbsp;Bachelor : Design School Kolding Textile Design Teaching and freelance work&nbsp; 2024 Tatsuniya Artist Collective. Maidunguri, Nigeria :Workshop about artistic processes related to wool craft, ecology, site-research and sculptural weaving.. Invitet by Aziza Harmel, Rahima Gambo, Hosting Lands, Pujita Guha 2024, 2025, 2026, 2027Design School Kolding : Teaching&nbsp;Wool craft. Old craft of processing the fibers. &nbsp; 2018 - current (periodical) &nbsp;Assisting Artist Malene Bach with colour in a spatial context and textile installations related to sculpture and architectual installations 2022 &nbsp;- 2025 Freelance Designer Lystbækgaard. Teaching and development of artistic direction of the organisation working with rural crafts related to local wool.&nbsp; 2022 &amp; 2024 Textilskolen i Holte : Teaching Two week course In weaving and localism. Working with lokal wool and &nbsp;its properties both on the loom and aftertreatment like &nbsp;waulking/felting. 2021 &nbsp;Locus 8b : Teaching Oasis and Lagoon’s summer school for dutch design students and alumni.&nbsp; 2021 Freelance Designer Det Vilde Spinderi 2020 &nbsp; Artistic&nbsp;Advisory Role For the oganisation&nbsp;Får til Kanten’s project&nbsp;‘Wool and Art’ supported by Den jyske kunstfond&nbsp; 2019&nbsp; Dansk Talent Akademi, Kunst &amp; Design eachingTeaching Holstebro (DK)&nbsp; 2019&nbsp; Conference Arctic wood network. Finland. Invited by Open-air museum Hjerl Hede)&nbsp;2018 - 2020 &nbsp;&nbsp; Assisting in the weaving workshop Design school Kolding 2015 - 2020 : Study board, Student representative at DSKD. © Copyright 2026 Marianne Noer. All rights reserved https://mariannenoer.cargo.site/Projects Mon, 01 Aug 2022 10:51:51 +0000 Marianne Noer https://mariannenoer.cargo.site/Projects https://mariannenoer.cargo.site/Kapellet-Genfortalt Wed, 03 Dec 2025 08:19:54 +0000 Marianne Noer https://mariannenoer.cargo.site/Kapellet-Genfortalt <img width="8192" height="5464" width_o="8192" height_o="5464" data-src="https://freight.cargo.site/t/original/i/974d8dd9a732d85ba828e230430624a5541415c5744b246d5b3a20b289805bf7/Foto-1-Laura_Stamer_1N9A1043.jpg" data-mid="241347227" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/974d8dd9a732d85ba828e230430624a5541415c5744b246d5b3a20b289805bf7/Foto-1-Laura_Stamer_1N9A1043.jpg" /> Kapellet Genfortalt&nbsp; (English summary further down)&nbsp; Vi (arkitektduoen Hahn Lavsen, billedkunstner Rasmus Søndergaard Johannsen og billedvæver Marianne Noer) blev i starten af 2025 efter et open call udvalgt som et af tre tværfaglige teams til at stå bag transformationen af det tidligere kapel på Frederiksberg Hospitalsgrund. Gennem rensning, reparation og bearbejdning af det eksisterende – murværk, gulve, døre og detaljer – har vi sammen med de to andre teams undersøgt, hvordan bygningen og haven kan få nyt liv med så få tilføjelser som muligt. Resultatet er en sanselig bygningsoplevelse, der peger på nye, bæredygtige veje for transformation med lavt ressourceforbrug og stor omhu. Transformationen var åbent for offentligheden 12.09.-31.10.2025. Bygningen er udlagt til kulturhus i den nye bydel, som vokser frem på hospitalsgrunden. KAPELLET GENFORTALT er blevet til i tæt samarbejde mellem: Tegnestuen Verna, billedkunstner Julie Falk, forfatter og kulturgeograf Emmy Laura Pérez Fjalland, tegnestuen A part of Sum, kunstner og snedker Line Hvidbjerg, arkitekt MAA og murerlærling Lasse Buus, kunsthåndværker Karoline Bach Larsen, tegnestuen Hahn Lavsen, billedkunstner Rasmus Søndergaard Johannsen og billedvæver Marianne Noer samt kunsthistoriker Marianne Krogh og arkitekt MAA Sidsel Gelting Hodge, Arkitektforeningen. KAPELLET GENFORTALT er udviklet af Arkitektforeningen og er støttet af Dreyers Fond, Statens Kunstfond, Knud Højgaards Fond, Aage og Johanne Louis-Hansens Fond samt Bestles Fond. Year 2025 &nbsp; Photo: &nbsp;Laura StamerProces photo: Laurits Thingholm, Ebbe Lavsen, Rasmus Søndergaard Johannesen,Marianne Noer &nbsp; The Chapel, Frederiksberg Hospital&nbsp; <img width="8192" height="5464" width_o="8192" height_o="5464" data-src="https://freight.cargo.site/t/original/i/165dafb2849818fc2a84741dfbfff0deefb3727662452b72e0ea921ba0a4c14f/Opslag-2-foto-1.jpg" data-mid="241347265" border="0" src="https://freight.cargo.site/w/1000/i/165dafb2849818fc2a84741dfbfff0deefb3727662452b72e0ea921ba0a4c14f/Opslag-2-foto-1.jpg" />ENG In early 2025, we (the architect duo Hahn Lavsen, visual artist Rasmus Søndergaard Johannsen, and artist and weaver Marianne Noer) were selected through an open call as one of three interdisciplinary teams to lead the transformation of the former chapel on the Frederiksberg Hospital grounds. Through cleaning, repairing, and reworking the existing elements — brickwork, floors, doors, and details — we have, together with the two other teams, explored how the building and garden can be given new life with as few additions as possible. The result is a sensory architectural experience that points toward new, sustainable approaches to transformation with low resource consumption and great care. The transformation was open to the public from 12 September to 31 October 2025. The building is designated as a cultural center in the new district emerging on the former hospital grounds. <img width="5464" height="8192" width_o="5464" height_o="8192" data-src="https://freight.cargo.site/t/original/i/4ccb3382956c8bcb397e05cdcb1dad231e34381a418804fd68b64eea055232ae/Foto-2-Laura_Stamer_1N9A1052.jpg" data-mid="241347314" border="0" src="https://freight.cargo.site/w/1000/i/4ccb3382956c8bcb397e05cdcb1dad231e34381a418804fd68b64eea055232ae/Foto-2-Laura_Stamer_1N9A1052.jpg" /><img width="8192" height="5464" width_o="8192" height_o="5464" data-src="https://freight.cargo.site/t/original/i/69edb7067b00e7328ff385a261033b5f611bec8f1a95da59478572d7d8501b35/Opslag-2-foto-4.jpg" data-mid="241347282" border="0" src="https://freight.cargo.site/w/1000/i/69edb7067b00e7328ff385a261033b5f611bec8f1a95da59478572d7d8501b35/Opslag-2-foto-4.jpg" /><img width="2402" height="4032" width_o="2402" height_o="4032" data-src="https://freight.cargo.site/t/original/i/97c22d486d2b676f2085c2a630b145b105b009acc4405b7ed08de21639b98dcb/Laurits-Thingholm-2-kopi.jpg" data-mid="241347825" border="0" src="https://freight.cargo.site/w/1000/i/97c22d486d2b676f2085c2a630b145b105b009acc4405b7ed08de21639b98dcb/Laurits-Thingholm-2-kopi.jpg" /> <img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/49808b7ca5f3c5479d1a0c22153b2ebda5900f0b872210e5352472e6d4e3124e/image001-7.jpg" data-mid="249834074" border="0" src="https://freight.cargo.site/w/1000/i/49808b7ca5f3c5479d1a0c22153b2ebda5900f0b872210e5352472e6d4e3124e/image001-7.jpg" /> <img width="5193" height="3893" width_o="5193" height_o="3893" data-src="https://freight.cargo.site/t/original/i/7ebaca5473db3f01b9d0ab495d5e3892588a89b711b3038ce565b3fbb71316d9/Opslag-2-foto-3.jpg" data-mid="249834073" border="0" src="https://freight.cargo.site/w/1000/i/7ebaca5473db3f01b9d0ab495d5e3892588a89b711b3038ce565b3fbb71316d9/Opslag-2-foto-3.jpg" /> <img width="4284" height="5712" width_o="4284" height_o="5712" data-src="https://freight.cargo.site/t/original/i/5b72ee99f8bc161fc5592a211e446d52df46b782060d23e2f3ae7c948c71fc26/Opslag-2-foto-2.JPG" data-mid="241347319" border="0" src="https://freight.cargo.site/w/1000/i/5b72ee99f8bc161fc5592a211e446d52df46b782060d23e2f3ae7c948c71fc26/Opslag-2-foto-2.JPG" /> <img width="2607" height="3365" width_o="2607" height_o="3365" data-src="https://freight.cargo.site/t/original/i/6246c30f5d87502fe3100627c421065b0f9818ce4d1315372c6641b38e71e5d7/Foto-5-mulighed-1.jpg" data-mid="241347345" border="0" src="https://freight.cargo.site/w/1000/i/6246c30f5d87502fe3100627c421065b0f9818ce4d1315372c6641b38e71e5d7/Foto-5-mulighed-1.jpg" /> <img width="6936" height="9248" width_o="6936" height_o="9248" data-src="https://freight.cargo.site/t/original/i/57ae0efaf53e6794ab66babb6ab7ac4725cc56e9e259fee05bab872a5f6c789f/Foto-4-mulighed-2.jpg" data-mid="241347306" border="0" src="https://freight.cargo.site/w/1000/i/57ae0efaf53e6794ab66babb6ab7ac4725cc56e9e259fee05bab872a5f6c789f/Foto-4-mulighed-2.jpg" /> <img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/2c7e833b4847305c3657f3573575b669440764cfd80137b6a19bea72e25e33a5/IMG_3226.jpg" data-mid="249834078" border="0" src="https://freight.cargo.site/w/1000/i/2c7e833b4847305c3657f3573575b669440764cfd80137b6a19bea72e25e33a5/IMG_3226.jpg" /> https://mariannenoer.cargo.site/Gravninger-i-Redskaber Tue, 19 May 2026 18:39:13 +0000 Marianne Noer https://mariannenoer.cargo.site/Gravninger-i-Redskaber <img width="3543" height="2363" width_o="3543" height_o="2363" data-src="https://freight.cargo.site/t/original/i/acae068bfff53919c8557fcf1a91736f3a7979856b230d2fee27cc9077f2da11/Det-Uendeliges-Kunst_rslev-Kloster_2026_photo-Jacob-Friis-Holm-Nielsen_JFH8274.jpg" data-mid="248488433" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/acae068bfff53919c8557fcf1a91736f3a7979856b230d2fee27cc9077f2da11/Det-Uendeliges-Kunst_rslev-Kloster_2026_photo-Jacob-Friis-Holm-Nielsen_JFH8274.jpg" /> Gravninger i Redskaber&nbsp; Stangvanten blev brugt til ålefisker, Håndtenen er knyttet til hedens uld og det Vævede Skakternede klæde fortæller om Ørslev kloster kirkes kvadersten. Værket reflekterer over menneskets håndværk knyttet til landskabet ved Ørslev Kloster. Redskaber som var i brug inden industrialiseringen af vores jord, vand og håndværk. Det fortæller om skikke, både dem der stadig lever men også dem som er forgået. Ålen levede i vandløbet, der stadig slanger sig på engen ved klosterets sydside. Ålens fede kød gav næring til klosteret og områdets folk. Men ålene svømmer her ikke længere, så åle-stængerne står fint til pynt. Stangvanterne er formuldet, kun gemt som en tegning. Håndtenen har eksisteret helt tilbage til stenaldermennesket. Den har været essentiel for at skabe tråde fra hedefårenes uld. Det vævede klæde refererer til kvaderstenen med skaktavle-mønsteret, der ses på Ørslevkloster Kirkes nordside. Lignende skaktavler findes på ca. 70 danske kirker bygget i 1200-tallet. Myter kalder stenene “Djævlens brætspil”, dets formål var at opholde trolde eller ondsindede væsner så de ikke lavede narrestreger mens stenhuggerne byggede. Year; &nbsp;2026&nbsp; Exhibition: Det Uendeliges Kunst. &nbsp;Ørslev Kloster (DK) Photo &nbsp;Jacob Friis-Holm Curator Josephine Boesen &amp; Astrid Skibsted Wool, horse hair, bronze, wood, stone,&nbsp; glas, wool ropes. Supported by Grosserer L. F. Foghts Produced with: Glasmuseet, Ebeltoft.&nbsp; Håndværkshøjskolen ved Sigmundur&nbsp; Frýdal Hyllestad <img width="2365" height="3543" width_o="2365" height_o="3543" data-src="https://freight.cargo.site/t/original/i/03118b7d9fa4fae686c0838685a46a79c7986dd92e583aa39fe3f3dc0fcd7115/Det-Uendeliges-Kunst_rslev-Kloster_2026_photo-Jacob-Friis-Holm-Nielsen_JFH8285.jpg" data-mid="248488432" border="0" src="https://freight.cargo.site/w/1000/i/03118b7d9fa4fae686c0838685a46a79c7986dd92e583aa39fe3f3dc0fcd7115/Det-Uendeliges-Kunst_rslev-Kloster_2026_photo-Jacob-Friis-Holm-Nielsen_JFH8285.jpg" /><img width="3543" height="2363" width_o="3543" height_o="2363" data-src="https://freight.cargo.site/t/original/i/4d455d55d3cfd31f3b3dd99d7f3862a11d30c71bd6f75f7dc8d255053acd6727/Det-Uendeliges-Kunst_rslev-Kloster_2026_photo-Jacob-Friis-Holm-Nielsen_JFH9332.jpg" data-mid="248488404" border="0" src="https://freight.cargo.site/w/1000/i/4d455d55d3cfd31f3b3dd99d7f3862a11d30c71bd6f75f7dc8d255053acd6727/Det-Uendeliges-Kunst_rslev-Kloster_2026_photo-Jacob-Friis-Holm-Nielsen_JFH9332.jpg" /><img width="2365" height="3543" width_o="2365" height_o="3543" data-src="https://freight.cargo.site/t/original/i/b921a9eefdfd97bc772ee0c06e204579f6911f2e8b295249fcaea314d2caf2e1/Det-Uendeliges-Kunst_rslev-Kloster_2026_photo-Jacob-Friis-Holm-Nielsen_JFH8263.jpg" data-mid="248488451" border="0" src="https://freight.cargo.site/w/1000/i/b921a9eefdfd97bc772ee0c06e204579f6911f2e8b295249fcaea314d2caf2e1/Det-Uendeliges-Kunst_rslev-Kloster_2026_photo-Jacob-Friis-Holm-Nielsen_JFH8263.jpg" /><img width="2365" height="3543" width_o="2365" height_o="3543" data-src="https://freight.cargo.site/t/original/i/afc4de112c27e1fc04be509d1a398dda1071775b16d81a40f7b67fdc49e3da4a/Det-Uendeliges-Kunst_rslev-Kloster_2026_photo-Jacob-Friis-Holm-Nielsen_JFH9343.jpg" data-mid="248488346" border="0" src="https://freight.cargo.site/w/1000/i/afc4de112c27e1fc04be509d1a398dda1071775b16d81a40f7b67fdc49e3da4a/Det-Uendeliges-Kunst_rslev-Kloster_2026_photo-Jacob-Friis-Holm-Nielsen_JFH9343.jpg" /> https://mariannenoer.cargo.site/KH-Prisen Wed, 09 Oct 2024 11:32:28 +0000 Marianne Noer https://mariannenoer.cargo.site/KH-Prisen <img width="2000" height="3000" width_o="2000" height_o="3000" data-src="https://freight.cargo.site/t/original/i/3ee75b651b15118af4777eff6b556f46ea6b480ba9c980e6efd308fd23f4cef6/Marianne_Credit_Robert_Damisch_16.jpg" data-mid="219452982" border="0" src="https://freight.cargo.site/w/1000/i/3ee75b651b15118af4777eff6b556f46ea6b480ba9c980e6efd308fd23f4cef6/Marianne_Credit_Robert_Damisch_16.jpg" /> <img width="2000" height="3000" width_o="2000" height_o="3000" data-src="https://freight.cargo.site/t/original/i/6e5834d067909b68512adfe8fe0dc772cdf07298477823e93eb96892e421ca59/Marianne_Credit_Robert_Damisch_15.jpg" data-mid="219452981" border="0" src="https://freight.cargo.site/w/1000/i/6e5834d067909b68512adfe8fe0dc772cdf07298477823e93eb96892e421ca59/Marianne_Credit_Robert_Damisch_15.jpg" /> Otte Får : Eight SheepKH-Prisen 2024 &nbsp; Fårene Fra Præstbjerg : The sheep from Præstbjerg With focus on craftsmanship and materials derived directly from the landscape. The art pieces were to tell stories about where to gather materials and how skilled craftspeople can transform a material by going into dialogue with its properties. Working with shepherds and the local sheep wool which were handspun (plant dyed) by artist into yarns and made into rope with ropemaker.&nbsp;Numbers from the sheep ears are engraved in the back to give a nod to the&nbsp; animals who grew the wool in a year's cyclus in the heather landscape at Præstbjerg in western Jutland. Thank you to the&nbsp; Danish arts foundation (Craft and Design) Anni Nørskov Mørch, Anders V. Munch, Chris L. Halstrøm, Mette Mikkelsen and Nicolai Appel for the honour to create the KH-pris (award) 2024. Received by ceramicist Anne Black and Kasper Würtz&nbsp; Year 2024 &nbsp; Photo &nbsp;Robert DamischCommissioned from The Danish Arts Foundation (Craft and Design)&nbsp; Read more&nbsp; Video about my work (danish)&nbsp; About KH-Prisen (Award)&nbsp; Publicing the winners and the artworks Works&nbsp;Rope made from Spælsau woolMounted on weaving frame of brassW. 42 cm x H. &nbsp;64 cm &nbsp;x D. 5 cm&nbsp; <img width="2339" height="1653" width_o="2339" height_o="1653" data-src="https://freight.cargo.site/t/original/i/4e2dfaba5f296063c491e9ee1d7594407d50e7fb700f32f6122f76ce10ef232c/Emmy-Laura-Perez-Fjalland_-Vrksbeskrivelse_v6.jpg" data-mid="219453834" border="0" src="https://freight.cargo.site/w/1000/i/4e2dfaba5f296063c491e9ee1d7594407d50e7fb700f32f6122f76ce10ef232c/Emmy-Laura-Perez-Fjalland_-Vrksbeskrivelse_v6.jpg" /> Text by Emmy Laura Pérez Fjalland&nbsp; <img width="2000" height="3000" width_o="2000" height_o="3000" data-src="https://freight.cargo.site/t/original/i/0946dc8a8f234f515544028b8eac52e99af60c217eda2a2d6ecb7b96a17ef4c3/Marianne_Credit_Robert_Damisch_03.jpg" data-mid="219452968" border="0" src="https://freight.cargo.site/w/1000/i/0946dc8a8f234f515544028b8eac52e99af60c217eda2a2d6ecb7b96a17ef4c3/Marianne_Credit_Robert_Damisch_03.jpg" /><img width="2000" height="3000" width_o="2000" height_o="3000" data-src="https://freight.cargo.site/t/original/i/245b9dc36e549961983fe29044d570d5c0e93e79392d95de55f1d83282b2b1ba/Marianne_Credit_Robert_Damisch_10.jpg" data-mid="219452976" border="0" src="https://freight.cargo.site/w/1000/i/245b9dc36e549961983fe29044d570d5c0e93e79392d95de55f1d83282b2b1ba/Marianne_Credit_Robert_Damisch_10.jpg" /><img width="2000" height="3000" width_o="2000" height_o="3000" data-src="https://freight.cargo.site/t/original/i/919d61b755a73ea48b8fc40794351989c88161f7227637622f3101f041d5a23d/Marianne_Credit_Robert_Damisch_12.jpg" data-mid="219452978" border="0" src="https://freight.cargo.site/w/1000/i/919d61b755a73ea48b8fc40794351989c88161f7227637622f3101f041d5a23d/Marianne_Credit_Robert_Damisch_12.jpg" /> <img width="2000" height="3000" width_o="2000" height_o="3000" data-src="https://freight.cargo.site/t/original/i/d1151a2d3f7ce8429ce38ef172c189f8947eb7cd3d53db5182cca00c58996409/Marianne_Credit_Robert_Damisch_14.jpg" data-mid="219452980" border="0" src="https://freight.cargo.site/w/1000/i/d1151a2d3f7ce8429ce38ef172c189f8947eb7cd3d53db5182cca00c58996409/Marianne_Credit_Robert_Damisch_14.jpg" /><img width="2000" height="3000" width_o="2000" height_o="3000" data-src="https://freight.cargo.site/t/original/i/8f17c456ff6912ecac40920e7cd5c504f10fb877314b50def48665e75af9ea7d/Marianne_Credit_Robert_Damisch_04.jpg" data-mid="219452969" border="0" src="https://freight.cargo.site/w/1000/i/8f17c456ff6912ecac40920e7cd5c504f10fb877314b50def48665e75af9ea7d/Marianne_Credit_Robert_Damisch_04.jpg" /><img width="2000" height="3000" width_o="2000" height_o="3000" data-src="https://freight.cargo.site/t/original/i/ac2dd943ca564b4b77641122dcfd37f9478767de604515dd6b6439c7a23814c2/Marianne_Credit_Robert_Damisch_09.jpg" data-mid="219452975" border="0" src="https://freight.cargo.site/w/1000/i/ac2dd943ca564b4b77641122dcfd37f9478767de604515dd6b6439c7a23814c2/Marianne_Credit_Robert_Damisch_09.jpg" /><img width="2000" height="3000" width_o="2000" height_o="3000" data-src="https://freight.cargo.site/t/original/i/bd4aaa56d5a0e1d368502f45ebdb30da70034dcd19ae25550d6930453e9a6ae9/Marianne_Credit_Robert_Damisch_07.jpg" data-mid="219452972" border="0" src="https://freight.cargo.site/w/1000/i/bd4aaa56d5a0e1d368502f45ebdb30da70034dcd19ae25550d6930453e9a6ae9/Marianne_Credit_Robert_Damisch_07.jpg" /><img width="2000" height="3000" width_o="2000" height_o="3000" data-src="https://freight.cargo.site/t/original/i/b8faec7f043b85c725d8ba1a31d3b4a36791b9b5751a7143ad28a0b08bf17572/Marianne_Credit_Robert_Damisch_06.jpg" data-mid="219452971" border="0" src="https://freight.cargo.site/w/1000/i/b8faec7f043b85c725d8ba1a31d3b4a36791b9b5751a7143ad28a0b08bf17572/Marianne_Credit_Robert_Damisch_06.jpg" />Made in collaboration with: &nbsp;Ropemaker Mikkel Hollmann and Kurt (Ringkøbing Fjord Museer) The Shepherds at Præstbjerg Lise Hovesen and Berit Kiilerich (Lystbækgaard) Text “Otte får” Emmy Laura Pérez Fjalland (Jordbo) Statens Værksteder for Kunst &nbsp;(SVFK)Værkstedsdivisionen Slagteriet Holstebro https://mariannenoer.cargo.site/Forarsudstilligen-Charlottenborg Tue, 14 Jan 2025 14:14:37 +0000 Marianne Noer https://mariannenoer.cargo.site/Forarsudstilligen-Charlottenborg <img width="4046" height="6069" width_o="4046" height_o="6069" data-src="https://freight.cargo.site/t/original/i/a804e85161f1502c3b439c6df7d8c60d2eeb2dda641885e034dffebd290c1263/photo-by_Jenny-Sundby_160.jpg" data-mid="224740736" border="0" src="https://freight.cargo.site/w/1000/i/a804e85161f1502c3b439c6df7d8c60d2eeb2dda641885e034dffebd290c1263/photo-by_Jenny-Sundby_160.jpg" /> Forårsudstilligen, Charlottenborg “The Spring Exhibition acts as a gauge for the current state of contemporary art, reflecting the most recent trends within the art world. Featuring works ranging from painting and sculpture to video installations and performance art, the show offers ample opportunity to explore and gain insight into the rich diversity of the contemporary art scene. Ever since 1857, the Spring Exhibition has presented art, architecture, design and applied art, giving a wide range of artists the opportunity to exhibit their works to the general public.”&nbsp; Jury Statement: “&nbsp;A poetic, tender power pervades the collection of works that have jointly become the 2024 Spring Exhibition. More or less visible threads connect the various works, including a preoccupation with the intimate, the vulnerable and the untold. Several of the contributions evince an interest in origins, in time, and express a yearning to dwell on narratives, ways of living and events that propose other, less frenetic paces as alternatives to the present-day rush of acceleration. Many works activate materials and structures from childhood or the past to renegotiate personal histories as well as the wider, so-called ‘common’ history.” Year 2023 &nbsp; Photo &nbsp;Staffan Sundström&nbsp; Exhibited Fabrikken for Kunst &amp; Design, Copenhagen &nbsp; Works, alle produced in 2023&nbsp; Making of a Wall (lll) &nbsp; Weaving. Sisal rope &amp; wood&nbsp;W. 75 cm x H. &nbsp;6 meter x D. 8 cm&nbsp; Textile without a Body &nbsp;&nbsp;Weaving. Wool &amp; Linen&nbsp;W. 52 cm x H. &nbsp;120 cm Transformaation of Materiality (Woven)Woven objects cast in bronze .Left: W. 8 cm x H. &nbsp;32 cm x D 6 cm&nbsp; Right: W. 18 cm x H. 15 cm x D. 14 cm <img width="6194" height="4128" width_o="6194" height_o="4128" data-src="https://freight.cargo.site/t/original/i/baebad0616ad82bb6c8111d147c3f2132f6220e6e6b4063903b78362636ee85c/photo-by_Jenny-Sundby_162.jpg" data-mid="224740737" border="0" src="https://freight.cargo.site/w/1000/i/baebad0616ad82bb6c8111d147c3f2132f6220e6e6b4063903b78362636ee85c/photo-by_Jenny-Sundby_162.jpg" /> <img width="6720" height="4480" width_o="6720" height_o="4480" data-src="https://freight.cargo.site/t/original/i/f2928a7c4d8c467c58121f63772e122857e7a277ce9aecfe82fd0748aa0940ff/photo-by_Jenny-Sundby_101.jpg" data-mid="224740738" border="0" src="https://freight.cargo.site/w/1000/i/f2928a7c4d8c467c58121f63772e122857e7a277ce9aecfe82fd0748aa0940ff/photo-by_Jenny-Sundby_101.jpg" /><img width="2000" height="3000" width_o="2000" height_o="3000" data-src="https://freight.cargo.site/t/original/i/80d81e045c666820515b8cfeef227ecec91bd9a749ddd41f4e988493602d284a/Charlottenborg_Foraarsudstillingen2024_foto_christian_brems-11.jpg" data-mid="224740729" border="0" src="https://freight.cargo.site/w/1000/i/80d81e045c666820515b8cfeef227ecec91bd9a749ddd41f4e988493602d284a/Charlottenborg_Foraarsudstillingen2024_foto_christian_brems-11.jpg" /> https://mariannenoer.cargo.site/My-Grandad-Caught-Eel Wed, 23 Oct 2024 08:47:10 +0000 Marianne Noer https://mariannenoer.cargo.site/My-Grandad-Caught-Eel &nbsp; <img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/4feb9a79a5a5fbd5ab481051bbf5912b6855e90920f47655ad2faf9f67b7dd54/nyt-al.jpg" data-mid="227625647" border="0" data-scale="88" src="https://freight.cargo.site/w/1000/i/4feb9a79a5a5fbd5ab481051bbf5912b6855e90920f47655ad2faf9f67b7dd54/nyt-al.jpg" /> My Grandad Caught Eel Childhood memories related to familie ties to the fjord and fishing. In a time of loose of species and live in the danish fjords. Outtake from writing exhibited with the woven works:&nbsp; ”It is by the fjord on the small Limefjord island, Jegindø. Where the old fishing hut still stands a stone’s throw from the water. The place where my grandfather Jens taught my father to clean eels. A grandfather who died before I was born. My father passed the craft on to me in my childhood. How to skin and clean the eels we caught, with my hands and a short sharp knife. A knowledge that is put on hold. Because the European eel is rare (endangered). The fjord is no longer a good habitat for it. Together with the absence of other species, it seems so quiet today under the water’s surface. Except for the new species that have found their way to the deserted sandy bottoms. Enclaves of voluminous Pacific oysters live close to the shoreline, many times larger than the flat Limfjord oysters they have displaced.”&nbsp; Year 2024&nbsp; Exhibited &nbsp;at the ship Svartlöga, Grenaa(DK)&nbsp; Curated by Oxer and Hostinglands (Laboratoriet for æstetik og økologi)&nbsp; Supported by: Bikuben Fonden&nbsp; Statens Kunstfond &nbsp;(The Danish Arts Foundation&nbsp; VAK (Vestsjællands Arbejde Kunstnerværksted &amp; the ropemakers from Hjerl Hede&nbsp; Installation of: Ropes made from spælsau wool Floaters cast in Copper at VAK (Vestsjællands Arbejdende kunstnerværksted) &nbsp; Woven works made with handspun wool (plantdyed) and Eelgrass&nbsp;&nbsp; <img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/e3898445ad8a72c65e8b09b685ab738f570dcfa8db7fa7796235b62f8d355fc3/al-10.jpg" data-mid="224739021" border="0" data-scale="88" src="https://freight.cargo.site/w/1000/i/e3898445ad8a72c65e8b09b685ab738f570dcfa8db7fa7796235b62f8d355fc3/al-10.jpg" /><img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/92859040f1463a55f5d44843da0dcf358843dcb2ff60e91610b7964e4d5c1a07/al-4-b.jpg" data-mid="224648913" border="0" data-scale="88" src="https://freight.cargo.site/w/1000/i/92859040f1463a55f5d44843da0dcf358843dcb2ff60e91610b7964e4d5c1a07/al-4-b.jpg" /> <img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/7c7c05d6a67193f5ebb3daf458ca6df9840773e42c06f6150431f35ccc592bb6/Al-5.jpg" data-mid="224648916" border="0" src="https://freight.cargo.site/w/1000/i/7c7c05d6a67193f5ebb3daf458ca6df9840773e42c06f6150431f35ccc592bb6/Al-5.jpg" /><img width="2841" height="3788" width_o="2841" height_o="3788" data-src="https://freight.cargo.site/t/original/i/ef0a6a2210b47a53b99c03fcc9dcbf53bca91490e2c24ce6238d917e0960bc81/al-11.jpg" data-mid="224739072" border="0" src="https://freight.cargo.site/w/1000/i/ef0a6a2210b47a53b99c03fcc9dcbf53bca91490e2c24ce6238d917e0960bc81/al-11.jpg" /><img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/fcbcf162bc6143e2bbd41dfb0b22c9ade0c98adf265cf21dabbdb87b888ccf6f/al3.jpg" data-mid="224648926" border="0" src="https://freight.cargo.site/w/1000/i/fcbcf162bc6143e2bbd41dfb0b22c9ade0c98adf265cf21dabbdb87b888ccf6f/al3.jpg" /> <img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/5e938eba08126f7ba30f644845d8dfb9a80b4d72f69bf7fcd266e8ccb4090621/al-7-b.jpg" data-mid="224648920" border="0" src="https://freight.cargo.site/w/1000/i/5e938eba08126f7ba30f644845d8dfb9a80b4d72f69bf7fcd266e8ccb4090621/al-7-b.jpg" /><img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/85d82f3f0badb95a6de24e1841225d398a862832d878aef35cb03338cee0e699/al-9.jpg" data-mid="224739022" border="0" src="https://freight.cargo.site/w/1000/i/85d82f3f0badb95a6de24e1841225d398a862832d878aef35cb03338cee0e699/al-9.jpg" /><img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/c1f732d9a0bd9e0d729828874b55185b2713312823ead2a9492478ad4ea8521e/al-8.jpg" data-mid="224739023" border="0" src="https://freight.cargo.site/w/1000/i/c1f732d9a0bd9e0d729828874b55185b2713312823ead2a9492478ad4ea8521e/al-8.jpg" /> <img width="1772" height="1181" width_o="1772" height_o="1181" data-src="https://freight.cargo.site/t/original/i/577ea968ac1f31f367ea6ef52bfd85b704431623c0125765a3ac7a0b909d2ad3/badr.jpg" data-mid="227624502" border="0" src="https://freight.cargo.site/w/1000/i/577ea968ac1f31f367ea6ef52bfd85b704431623c0125765a3ac7a0b909d2ad3/badr.jpg" /> <img width="2192" height="3021" width_o="2192" height_o="3021" data-src="https://freight.cargo.site/t/original/i/f8b57465e92002a0d9d95df2c91f8150fa83c1dc41f12d0b99bef2ce6de85a6a/Beskriv-af-fla-al.jpg" data-mid="224739344" border="0" src="https://freight.cargo.site/w/1000/i/f8b57465e92002a0d9d95df2c91f8150fa83c1dc41f12d0b99bef2ce6de85a6a/Beskriv-af-fla-al.jpg" /> Description of Experience - Skinning an Eel Written 2013 - Marianne Noer The eel moves when I place it on the Chopping board and holding it firmly while I cut off the head. I cut from just behind the ear. I don’t cut all the way through, but leave a small bit of the skin attached to the body. So that the meat is cut through, but a bit of the eel skin is attached. I use this to remove the skin from the fish. I strongly but still carefully pull the skin downwards so that it slowly slides off and the wrong side of the skin is visible. The eel’s nerves are still working and it wriggles. Sometimes the skin breaks at the bottom where the tail becomes thin and flattens out a little. But then I cut some of the skin off the body. Then I can pull it off completely. The eel must be cleaned and this is done by cutting open the belly along the stomach and small intestines and entrails can be scraped out with the knife. The eel is completely light in flesh and almost transparent/marble. The skin is first very dark on the outside and can appear bluish and brownish. Inside: the leather shades from white mother-of-pearl to a light aqua blue and light flesh color. The surface is shiny. <img width="1772" height="1181" width_o="1772" height_o="1181" data-src="https://freight.cargo.site/t/original/i/144fc2d7852721b27971fbc4ed68a5b01c48abdb67140b81e1d04d1d3813a931/al-Ejner.jpg" data-mid="224739148" border="0" src="https://freight.cargo.site/w/1000/i/144fc2d7852721b27971fbc4ed68a5b01c48abdb67140b81e1d04d1d3813a931/al-Ejner.jpg" /> <img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/fc5a4e14646eeda1654fcec8f5c1e947f4016919aaa052ef1b9b1cd3d92cbfc6/al2.jpg" data-mid="224739024" border="0" data-scale="95" src="https://freight.cargo.site/w/1000/i/fc5a4e14646eeda1654fcec8f5c1e947f4016919aaa052ef1b9b1cd3d92cbfc6/al2.jpg" /> https://mariannenoer.cargo.site/Wet-Work Tue, 31 Jan 2023 13:44:56 +0000 Marianne Noer https://mariannenoer.cargo.site/Wet-Work <img width="2667" height="4000" width_o="2667" height_o="4000" data-src="https://freight.cargo.site/t/original/i/f610e2dedca8d38fd54ac1cf9334d43dfba84177018f55ebd7fa680810ff7219/BC2A5244.jpg" data-mid="196458366" border="0" src="https://freight.cargo.site/w/1000/i/f610e2dedca8d38fd54ac1cf9334d43dfba84177018f55ebd7fa680810ff7219/BC2A5244.jpg" /> Wet, Work : Groupexhibition Participating in the group exhibition as part of the 12 young artist and designers selected for the acceleration program at Fabrikken for Kunst &amp; Design (The Fabric for Art &amp; Design). “Based on the site's history, 12 artists and designers have created an exhibition that specifically relates to the context and architecture they are a part of on a daily basis, and with Wet, Work - the exhibition, writes into the site's history” (Mette Woller)&nbsp; Year 2023 &nbsp; Photo &nbsp;Staffan Sundström&nbsp; Curator Mette Woller &nbsp; Exhibited Fabrikken for Kunst &amp; Design, Copenhagen &nbsp; Works, alle produced in 2023&nbsp; Making of a Wall (lll) &nbsp; Weaving. Sisal rope &amp; wood&nbsp;W. 75 cm x H. &nbsp;6 meter x D. 8 cm&nbsp; Textile without a Body &nbsp;&nbsp;Weaving. Wool &amp; Linen&nbsp;W. 52 cm x H. &nbsp;120 cm Transformation of Materiality (Woven)Woven objects cast in bronze .Left: W. 8 cm x H. &nbsp;32 cm x D 6 cm&nbsp; Right: W. 18 cm x H. 15 cm x D. 14 cm <img width="2667" height="4000" width_o="2667" height_o="4000" data-src="https://freight.cargo.site/t/original/i/1ca5b6360e6b595d5843b46ac6e747aaef859bc40f90e8811405b022b7e9fcc3/BC2A4863.jpg" data-mid="196458403" border="0" src="https://freight.cargo.site/w/1000/i/1ca5b6360e6b595d5843b46ac6e747aaef859bc40f90e8811405b022b7e9fcc3/BC2A4863.jpg" /><img width="2667" height="4000" width_o="2667" height_o="4000" data-src="https://freight.cargo.site/t/original/i/707b5b3304201b9a2e78d4e7a7774a248273e3b25fb068e5fc8d7bfd66f78b32/BC2A4866.jpg" data-mid="196458404" border="0" src="https://freight.cargo.site/w/1000/i/707b5b3304201b9a2e78d4e7a7774a248273e3b25fb068e5fc8d7bfd66f78b32/BC2A4866.jpg" /><img width="2667" height="4000" width_o="2667" height_o="4000" data-src="https://freight.cargo.site/t/original/i/207e827cb16223bd4d1243281139c4a8b4a3e448e363d4cc6043ca36b75b238a/BC2A4870.jpg" data-mid="196458405" border="0" src="https://freight.cargo.site/w/1000/i/207e827cb16223bd4d1243281139c4a8b4a3e448e363d4cc6043ca36b75b238a/BC2A4870.jpg" /><img width="2667" height="4000" width_o="2667" height_o="4000" data-src="https://freight.cargo.site/t/original/i/e217486eabde2a200e59386e59f9325010d2eef8f4bd9f0eb7d0bdb79830fb8f/BC2A4929.jpg" data-mid="196458414" border="0" src="https://freight.cargo.site/w/1000/i/e217486eabde2a200e59386e59f9325010d2eef8f4bd9f0eb7d0bdb79830fb8f/BC2A4929.jpg" /><img width="2667" height="4000" width_o="2667" height_o="4000" data-src="https://freight.cargo.site/t/original/i/1640b1ef652cf4ca181dfc20f00d5b2f34ae1e2a8ca2cbe477ed8da13f571dc0/BC2A4943.jpg" data-mid="196458426" border="0" src="https://freight.cargo.site/w/1000/i/1640b1ef652cf4ca181dfc20f00d5b2f34ae1e2a8ca2cbe477ed8da13f571dc0/BC2A4943.jpg" /> https://mariannenoer.cargo.site/Tidsel-Feber Fri, 15 Aug 2025 09:06:47 +0000 Marianne Noer https://mariannenoer.cargo.site/Tidsel-Feber <img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/4cfdfd9eb3e5df3b84689fbc37194122d3c30b89af797e4018ffa7c06540f70d/CDA301B8-AAF4-44AC-AD7A-1817B94BE974.jpg" data-mid="237057826" border="0" src="https://freight.cargo.site/w/1000/i/4cfdfd9eb3e5df3b84689fbc37194122d3c30b89af797e4018ffa7c06540f70d/CDA301B8-AAF4-44AC-AD7A-1817B94BE974.jpg" /> Tidsel feber : Group exhibition Thistle Fever. With the works Fabrication and Control&nbsp; “The "Corridor of Thistles" is a plant art project that lets you explore a green pathway to the sea surrounded by beautiful thistles, buzzing insects and wildflowers. The pathway opens to reveal panoramic views with Røsnes in the horizon to the east.&nbsp; When the first plan for highway corridors crossing Samsø was published, the impact on our landscape, nature and culture became both very visual and terrifyingly concrete! (...)&nbsp; The thistle has been the symbol of resistance and defense before. The Scotts were said to be warned from approaching enemies when unaware barefoot Vikings stepped on Scotland's now national flower, the thistle. Thistles are controversial. Farmers struggle to keep them out of their fields and they are not easy to love even as we are rewilding our gardens.” - from the art collective and curators of the exhibition&nbsp;https://www.tidselkorridoren.dk&nbsp; Year 2024&nbsp; Photo &nbsp;Anne Dyhr&nbsp; Exhibited Anton Rosen Huset, Samsø (DK)&nbsp; &nbsp;Bronze fragments of Weaving, Brass and Wool &nbsp;16 x 13 x 15 cm&nbsp;&nbsp;Kobber Weaving. 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